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Modulating the drive or dry/wet amount on one of your drum layers will introduce some interesting and ever-changing characteristics to your sounds, which helps to add variety and slightly differentiate your drum layers from one another. For example, subtly modulating a hi hat’s attack time can cause some of the hits to contain all of their transient information, while others will ease into their volume and sound more like a shaker. ADSR envelopeĪssign a randomizing modulator to the attack, decay, sustain or release of your drum sound to vary each hit’s volume shape.
Other Parameters and EffectsĪs well as randomizing the velocity, timing and probability of your drums, there are a near-endless number of other parameters and effects that can be adjusted to keep your drum programming interesting and varied.
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Select the notes or triggers you want to edit, then click and drag the nodes in the probability editor.įor those not using Ableton, there are options in Logic Pro X using Scripter, and many hardware drum sequencers now ship with probability options, including the Korg Volca Drum, Roland TR8-S and many of Elektron’s machines. The probability editor is tucked neatly below the velocity editor, and works exactly the same way. It’s now extremely simple to add trigger probability to your drums using Ableton’s Chance feature. Random probability can also help to add character and feel to programmed drums, particularly for layered drums when some of the layers are only triggered occasionally.
Then use either an inbuilt or external LFO to modulate the delay time between 1ms and 10-20ms to subtly move your drums’ timings back and forth. First, add a 100% wet delay to your drum track, turn the feedback down to 0% and put it in time mode. If this method isn’t an option because you’re not using MIDI or you’re in a different DAW, you can also use a delay and an LFO. First, apply a spare groove in the groove pool to your drum track, then reduce the timing to 0% and increase the random amount to taste. While Ableton’s Groove Pool allows you to add grooves from a range of sources (including the MPC60 and MPC3000), there is a little known use for this feature that allows you to randomize your drum’s timing without applying a specific groove.
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As with velocity randomisation, manual adjustment is likely to be a tedious approach, but there are other methods to achieve this sound.
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Thankfully, features such as Ableton’s velocity range adjusters allow you to set a minimum and maximum velocity for your drums, and the software takes care of the rest.Īlternatively, most modern software samplers feature random modulation that can be assigned to a variety of parameters including pan, filter cutoff and of course, velocity.įailing that, assigning a sample and hold LFO to velocity or volume will have the same effect.Īdjusting your drum hits’ timing is another great way of adding movement and character to your track, as evidenced by the Akai MPC60 and MPC3000 grooves which are famed within the worlds of hip hop and house music. While you can manually adjust each hit’s velocity on an arbitrary basis, this can be time consuming and won’t be truly random. One simple way to add movement to your drums is with velocity randomisation.
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Introducing randomisation to your drums can add vibe and character that would otherwise be missing, and in this article we’ll explain some creative ways of doing it.īefore you start reading, check out this free snippet taken from Eelke Kleijn’s Track from Scratch course, in which the DJ and producer shows how he uses Cubase’s randomize quantize feature to create unique interactions between his drum layers. Many DAWs, samplers and hardware instruments now have functionality that is designed to add some randomisation to patterns in order to make them feel more human.
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Over the years though, producers came to miss the character and groove that is inherent in performed music rather than sequenced music.įast forward 40 years, and technology has gone full circle. The ability to program patterns and rhythms that would remain in perfect time was a huge breakthrough for many artists, and music as a whole.
When early electronic instruments and drum machines such as the Roland TB-303 and TR-808 were introduced, they were all the rage. Leaving things to chance can be an excellent way of injecting life into your drum layers
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